A busy week ending with one more felted landscape class taught.

It has been such a busy fall for me, and this past week was the windup. Last weekend I taught another landscape class at Robin's Luckystone Studio. But before that I had some other things to do, starting with a stop in at the New England Fiber Festival which is held only 5 or so miles from my house. How could I not go?  And I have a confession to make...I caved on my vow not to buy any more fleeces until I used the ones I already have. In my defense, I DID just earn some money from teaching, and I HAD shown great restraint at the other two fiber festivals I went to this fall, AND I just got a brand new drum carder to play with.  I am not having buyers remorse but I am starting to think that I have the same problem with buying fleece as I do with buying beads. I love them more than I use them...I may need a 12 step program to get it under control. Here are the 'three bags full'....

...a black Icelandic, mottled grey Lincoln, and a gorgeous and very clean, very soft Merino which was a first shearing (aka a hogget). One of the reasons I like buying fleeces is that I am buying local and supporting farmers in this country. The Merino is the only one that I have fondled since I bought it. Here is a photo of the washed fleece and a small felt sample.

Next I went to the opening of the Granby Land Trust Art show. I was VERY happy to have my sister Beth come with me and be there when I was presented the award. We had so much fun and she was really good at promoting me after that half a glass of wine she drank! I won the Helen & Al Wilke award, which was a new award this year, for my drawing of the grapes.

I was happy to have my pieces hung so that could be seen during the ceremony. I felt sorry for the artists whose work was hung in the vestibule.  And I am always proud to see my felt hanging with price winning oil paintings.

But the best part of the night was having Beth there with me.

The rest of the week was spent scrambling to get my pieces mounted to put in the Wesleyan Potter's Annual Show and Sale.  I am thankful that Dad has been helping me with making simple frames. I have shown all these pieces before but here they are finally mounted and ready to hang.

This next piece I took some sideways shots to try to show how the felt is sculpted to project off of the background.

I asked some of my friends for advice on how to mount some of these. This one I agreed looked better just unframed, but it still had to be stitched to a backing with a way to hang it on the wall. Sometimes this type of mounting is harder than just doing my usual framing.

I also had to do some touch up on the mounting for my Tiffany window piece since it has traveled a bit and got banged up. I am not good about taking care of my artwork. I put in six pieces in all. I found that the south facing wall of the barn makes a good place to photograph my pieces...and I can put as many nails in it as I want! I will be kind of sad if my Tiffany sells but I don't have room here to hang it inside and I don't think it would fair well out on the barn wall.

My class at Robin's Luckystone studio was a lot of fun, as usual. She has a great space that the atmosphere is always relaxed. Though I did have a bit of tension when we were way over time and things were not felting very well. One thing that caused the class to go long was the size of the pieces. I think I forgot to tell the students to keep the layout so that it is about 4" from each side of the plastic. And I was so busy making sure that the layout of white wool was in the right proportion for their image that I missed the fact that the pieces were so big. I also forgot one of the steps I do in the wet felting process. I should not be surprised that I could forget something like that when I forget so many things. In fact my forgetfulness is why I started this blog. It was not a total disaster and I kept my cool. It just made for a long day. Thank goodness that Robin was there to help with the felting and fulling! The second day went as usual, and everyone seemed very happy with what they learned. Because the pieces were large not many of them were nearly finished, but students left with a plan and the knowledge of how to further develop the piece. I think of my class as being geared toward learning principles and techniques and not a project class. Maybe more technical than some folks want. I am going to think about ways to tweak the class and or develop another more elementary class for people who don't care so much about landscape principals and just want to make nice images.

Here are photos of the pieces as they left the studio...though I missed one student's work.

This is by my friend Gail Trautz. I will see her again so I can hopefully see what she does to further develop the piece. I also know her well enough to tease her about it if she does not work on it more, as she said she would.  Do you hear that Gail?

Here is Lori's piece. She is another Guild member and has taken my class before.  She plans on beading this some more to give some shine and texture to the flowers.

Here is Bea's piece. It is interesting to me that in some classes there are several students who use a lot of the yarns, neps, burs, angelina, etc. that I bring for embellishing, while some classes use very little or none.

Here is Sarah's piece. It was so big that it did not fit on my pinning board. (Everyone starts off with the same size plastic to layout on)!

Here is Pat's piece. She used one of the new yarns I bought at Webs, another dangerous place that is just too close to my house. (My other pledge was that I will not buy anymore yarn)! I sometimes wonder if I just do this kind of work so I have an excuse to buy more crafty stuff.

And last but not least, here is Barbara's piece. Robin told me that she came to the studio later to buy some fiber and told Robin how much she enjoyed the class. I love hearing that!

Now that I am done with my scheduled classes maybe I can play with some of those new fleeces....

Teaching Landscape in Potomac, Maryland

I have been doing quite a few things that are outside my comfort zone lately; volunteering to help Susan in Rhinebeck , and agreeing to teach a landscape class down in Maryland were the big ones. My friend, Sharon Janda, invited me to come to her home studio to teach a felting group that she is part of. To me this was a BIG deal for a couple of reasons. For one thing it meant I would have to drive by myself for 7 hours in a very metropolitan area. Since I do not leave my house much and I live in a somewhat rural area the thought of driving down the coast through several major cities was rather frightening. Most of my trips are through New York state and New England, in more familiar and less populated areas. I also get a bit nervous teaching at a new venue. I know from experience that the facility does make a difference in how the class goes especially in the beginning. I need to remind myself that none of my classes has been a disaster because of the facilities and what matters most is for me to handle the challenges with patience and humor. But what was causing me the most anxiety was the fact that I would have Sharon and Renate Maile-Moskowitz as students. They are my friends but I am also intimidated by their talent, sophistication and mastery of felt making. I did not feel like I had anything to offer them, especially since my class is about traditional landscape painting and their work is contemporary. I am happy to say that I really had no reason to worry about any of these things. I am proud of myself that I took the leap and did not let my fears stop me. The entire time was a wonderful experience and I feel like I have gained a new confidence that I hope I can hold on to.
One of my goals when I am teaching is to help students achieve their own vision for their piece. I start the class with a lecture on the principles of landscape painting; the effects of atmosphere and light, techniques for seeing, value, color, etc.; all of which can apply to any medium or style. Then I try to guide students to use that knowledge to create a piece of art that reflects their own aesthetic. I did not discourage Sharon or Renate from using a reference work that I normally would try to steer a student away from, because I knew that a traditional landscape was not their style. For the class I want students to have a reference photograph that will give them a chance to explore the principles that I lecture about, the best is one that is a vista so that they can "create a sense of distance through color and perspective". 
Renate brought in a book of paintings by Samuel Bak and wanted to try to create a similar scene in felt. It was really interesting to me to collaborate with her on this and in the end I did feel that she found the class worthwhile. Here is one of Samuel Bak's pieces that I found on the internet that is similar to Renate's photo.

Here is her layout...

 And her unfinished piece at the end of class...

And here is Renate at the end of class...she was on her way to teach a class and I think she was feeling a bit harried (pun intended)....though come to think of it it WAS Halloween.

Sharon's piece was based on a photo that had been manipulated so that the detail was soft and the colors were adjusted to be rather vivid. Here is her layout.

Sharon has a FeltLOOM that she wanted to try using for this project. When she put it through the machine the layout got stretched a bit at the top into a kind of arch shape. We both liked the effect for her piece so when she wet felted it she stretched it a bit more. Here it is at that stage.

And here it is at the end of the day...and night, since we sat around drinking wine and talking while she continued to work on it.

Bev also had a photo that was dramatic in its lighting; not much detail showed since the contrast was so high. After she had been working on the piece for a while she said that it would have been better to have worked from a photo with a better exposure for the piece she did in class. She did a wonderful job but it was tough deciding what to do in the areas that were just black in the photo. Here is her layout.

After wet felting...

And at the end of class....

The other women worked from photos that were better suited to what I teach. The fact that several were my own photos might have something to do with that ;)

Here is Dalis's layout.

She had a lot of fun with the yarns and other embellishments that I bring. 

And here is the piece after wet felting.

And at the end of class.

This is Grace's layout...

After wet felting...

And after needle felting...

This piece was done by Paige...

After wet felting...

And after needle felting.

This piece was done by Joanne. She was having trouble with her leg and could not really walk but she was determined to take my class. We all helped her get the things she needed. It is so nice to work with a group of friends.

 

Here is the piece after wet felting.

 

And at the end of class....

I had a really wonderful time teaching these women, and spending time with Sharon. And things got even better when Joanne bought one of the 'paintings' that I brought as an example. I was so happy. This is the landscape that went home with her.

And one more blessing came my way while I was at Sharon's. I got a call from my Dad which made me panic at first, until he said that he was just calling me to let me know that someone from the Granby Land Trust had left a message and that I should return her call. The call was to tell me that I won an award for one of my pieces! Both of them got juried in so I won't know what piece won or what the award is. Either way I am thrilled and looking forward to the opening on Wednesday!